A star-studded lineup of talent in Canadian music and literature came together one December night for a special edition of the Basement Revue to raise awareness about a cause close to many of our hearts.
The Basement Revue is a series curated by musician Jason Collett and poet Damian Rogers that’s building relationships across Canadian literary and music worlds. It’s also building relationships between Indigenous and non-Indigenous people, in pursuit of justice and awareness about missing and murdered Indigenous women.
Basement Revue shows bring together musicians, dancers, writers, poets and artists to one space, for one night only. Performers aren't announced before the event, so audiences come with a simple expectation: to witness something unique, powerful and often beautiful.
On December 18, 2014 at Toronto’s Opera House, the Basement Revue audience witnessed exactly that, and more.
Many in attendance were unaware that the show was put together to highlight missing and murdered Indigenous women and to help raise money for No More Silence, and that well-known names such as Joseph Boyden, A Tribe Called Red, Gord Downie, Jennifer Castle, Lee Maracle and others were all set to take the stage that night.
What they witnessed was an incredible opportunity for different groups to communicate, share experiences, express themselves artistically and politically and to listen to each other. These are all important elements in building relationships and communities.
Over the coming months, New Journeys will release exclusive Basement Revue content—videos of all of the performances that aren’t available anywhere else. This way, everyone will be able to experience the power of that night and see the many incredible ways artistic expression can help us on the path towards reconciliation in Canada.
Rogers stood side stage most of the evening and watched the entire show unfold. She told New Journeys that night was like nothing she’d ever been a part of.
“So many artists that night really put themselves on the line and really put themselves out there, in the moment,” she said.
“There’s something very exciting about the live experience, it’s ephemeral, but something like that you don’t want to disappear,” Rogers added. “You want it to continue to ripple out. You want people to be able to hear those performances, for it to be able to continue to grow.”
We hope it does too.